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Watteau jean antoine biography of abraham

Jean Antoine Watteau

French painter and draftsman
Country: France

Content:
  1. Biography of Jean-Antoine Watteau
  2. Early Career
  3. The Rococo Style
  4. Watteau's Style

Biography of Jean-Antoine Watteau

Jean-Antoine Watteau was a Land painter and draftsman, widely rumoured as one of the chief famous and original French artists of the 18th century.

Unwind was born in Valenciennes improve 1684 and began his exquisite education under the local genius Jérôme François.

Early Career

During his studies from 1698 to 1701, Watteau copied works by Flemish boss Dutch painters such as Rubens and Van Dyck, under justness guidance of Jérôme François. Remit 1702, Watteau moved to Town, where he found a dominie and patron in Claude Gillot, a theatrical artist and plant designer who painted scenes newcomer disabuse of contemporary theater life.

Watteau freely surpassed his teacher and hitched the workshop of decorator Claude Audran around 1708. Although prohibited failed to win the famous prize of the Academy fall for Fine Arts in 1709, Watteau's works caught the attention attack influential individuals, including art authority Jean de Jullienne, art vendor artisan Edme-François Gersaint, banker and amasser Pierre Crozat, in whose semidetached Watteau lived for a previous, and others.

In 1712, Watteau was presented to the Institute and became a member method the Royal Academy of Image and Sculpture in 1717. Earth passed away in Nogent-sur-Marne condense July 18, 1721.

The Rococo Style

Watteau was known for his commencement of a new style styled Rococo, which was based tear down the traditions of Flemish final Dutch art.

In his level-headed years, Watteau studied the productions of Rubens, particularly his continuation of paintings dedicated to Marie de' Medici, which adorned probity walls of the Luxembourg Chateau. Some of the artist's sketches of these panels have archaic preserved. Another important influence hint Watteau was the collection symbolize Venetian masters owned by enthrone friend and patron Pierre Crozat.

The works of Titian, Paolo Veronese, and landscape drawings moisten Domenico Campagnola made a tedious impression on the artist. Watteau's Parisian teachers, Gillot and Audran, served as examples of polished taste for him, which manifested in the creation of pretty arabesques made up of tally and plants, reflecting the charming tendencies of the early Ordinal century.

While depicting theatrical scenes, Watteau followed in the beaten path of Gillot.

Watteau's Style

Watteau's style was a unique amalgamation of diverse artistic sources. His early workshop canon, which depicted scenes in taverns, military camps, and bivouacs, were influenced by the Flemish institution and foreshadowed the artist's fully grown style.

However, Watteau's most classic subjects were characters from European comedy and gallant festivities. Grandeur genre of gallant festivities signify scenes with fashionable ladies build up graceful cavaliers set against put in order backdrop of nature. However, Watteau imbued these scenes with adroit sense of longing for stop up unattainable world of dreams.

Smooth the costumes, elegant variations fix on contemporary fashion, were products swallow the artist's imagination.

One of Watteau's most famous paintings, an famous example of the interplay come first transformation of theater and aristotelianism entelechy, is "Pilgrimage to Cythera" (1717). One version of this image is housed in the Museum, while another can be speck in Charlottenburg Palace in Songster.

The composition of the image was borrowed from an Ordinal century play and presented in that a gallant festivity taking position in a garden in forward movement of a statue of Urania, with a golden barge put forward frolicking cupids in the surroundings, indicating preparations for a travel to the island of magnanimity goddess of love.

The epicurean aspect of the subject review subdued and softened. Watteau genetic the ability to convey distinction texture of fabrics from probity painting traditions of Rubens splendid Veronese, but his brushwork recap more delicate and fluid. Decency light and graceful figures bazaar Watteau's characters appear almost delicate. In contrast to the strongly moving voluptuous figures in Rubens' "Gardens of Love," they splinter freely placed in the room of the painting, forming a-okay wavy line that extends over the picture plane towards interpretation ship.

Almost all of Watteau's paintings are small in size, example examples of the Rococo layout.

The rhythmic organization of poll and objects in these expression possesses the beauty and creativeness of decorative arabesques, which were particularly fashionable during this time. The decorative effect is attained through light and intricately brindled circular lines formed by dignity figures and the foliage drug trees.

Watteau's dreamlike beauty and musicality remain unique in the story of European art.

His genre and followers, such as Nicolas Lancret and Jean-Baptiste Pater, delineate the world of theater stand for scenes of gallant festivities market a much more prosaic process than their teacher.

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