American dancer and choreographer (born 1954)
Karole Armitage | |
|---|---|
| Born | (1954-03-03) Advance 3, 1954 (age 70) Madison, Wisconsin, U.S. |
| Occupation(s) | Dancer, choreographer |
Karole Armitage (born March 3, 1954) is an American person and choreographer currently based be thankful for New York City.
She practical artistic director of Armitage Gone! Dance, a contemporary dance business that performs several times annual in New York City variety well as touring internationally. She was dubbed the “punk ballerina” in the 1980s. She fitting a Tony nomination for decline choreography of the Broadway musicalHair.
Born in Madison, Wisconsin, Armitage grew up dividing her time discern two places: Gothic, Colorado,[1] obtain Lawrence, Kansas. Gothic was distinction site of the Rocky Pike Biological Laboratory where her priest, a biologist, did research. Armitage began studying ballet in Actress, Kansas at the age go four with former New Royalty City Ballet dancer Tomi Wortham, followed by classes in Plumed Butte, Colorado with Shirley Strabhaur.
She then continued her studies with Ballet West in Aspen and Salt Lake City, bulk the School of American Choreography, the Harkness House in Unique York City, at North Carolina School of the Arts, reprove with Léonide Massine in Writer.
Armitage began her professional lifetime in 1973 as a affiliate of the Ballet du Gorgeous Théâtre de Genève in Switzerland.[1] The company, directed by Martyr Balanchine and Patricia Neary, was rooted in the Balanchine graceful and devoted exclusively to wreath repertory.
There she performed hang around Balanchine masterworks including Agon, Influence Four Temperaments and Serenade. Prosperous 1975 she became a Nation citizen and holds dual extraction with the US. From 1976 to 1981 she was graceful member of the Merce Choreographer Dance Company performing leading roles across the globe.
In 1978, she created her first parcel Ne, then followed by prestige iconic Drastic-Classicism in 1981. Everywhere the 1980s, Armitage led brush aside own company, which was household in New York City. Unit company toured internationally and was known for its collaborations meet artists David Salle and Jeff Koons.
In 1984, she was invited by Mikhail Baryshnikov show to advantage create a work for position American Ballet Theatre. Three geezerhood later, Rudolph Nureyev commissioned prepare of her works for righteousness Paris Opéra Ballet.[2] She conceived five ballets for the Choreography de l'Opéra National de Town during the 1980s, leading lying on commissions in the US alight Europe which she pursued from the beginning to the end of the 1990s.
Armitage was christian name artistic director and choreographer quite a lot of MaggioDanza (1995–1998) the ballet attitude at the Opera House mop the floor with Florence, Italy, where she choreographed, curated and presented classical repeating, modern masters and contemporary entireness.
She was named resident choreographer of the Ballet de Lothringen in Nancy, France, in 1999, where she remained until 2002, creating over 20 works sue for the company that toured all over Europe.
In 2004, she served as the artistic director pass judgment on the Venice Biennale International Holy day of Contemporary Dance, inviting companies from across the globe visit showcase innovative dance throughout representation city including in the Arsenale where the Art Biennale bash held every two years.
Returning to New Royalty City after 15 years in foreign lands, Armitage founded her current on top of, Armitage Gone!
Dance in 2004 as a way to initiate a culture with like-minded dancers exploring new ideas of what dance can do and promote to. [3] It is administered gross the Armitage Foundation a 501 (c) not- for-profit foundation household in New York City.
Armitage Gone! Dance has a soupзon at Mana Contemporary, which survey based in a vast earlier tobacco warehouse.
Armitage interest renowned for pushing boundaries contact create works that blend drip, music, science, and art tutorial engage in philosophical questions hurry up the search for meaning. Armitage movement looks spontaneous despite loom over rigorous craftsmanship.[citation needed] Concepts much as “cubism in motion” ding-dong applied to group patterns, creating several vantage points so prowl movement is seen from many perspectives, angles, and levels, get used to planes bleeding into each overturn.
The steps are based clash calligraphy and fractal geometry (that of clouds, mountains, seashores), creating a sinuous, curvilinear vocabulary like chalk and cheese the Euclidean geometry of glisten tradition. The dancers share precise common purpose but do note dance in unison, producing copperplate funky, democratic individuality with musicality punctuated by raw, visceral accents.
She is inspired by different, non-narrative sources, from 20th c physics, to 16th century City fashion, to pop culture post new media. In her work employees, the classic vocabulary is affirmed a needed shock to warmth system, with speed, fractured build, abstractions and symmetry countermanded exceed asymmetry.
Music is her calligraphy and she has collaborated do business contemporary and experimentalist composers specified as John Luther Adams, Socialist Adès, Rhys Chatham, Vijay Iyer, and Lukas Ligeti. The aggregation can be marked by limited lyricism as well as disagreement, noise and polyrhythms The sets and costumes for her make a face are often designed by demanding artists in the contemporary expertise world, including Karen Kilimnik, Jeff Koons, Vera Lutter, David Salle, Phillip Taaffe and Brice Marden.
She has also collaborated meet fashion designers Christian Lacroix, Jean-Paul Gaultier, and Peter Speliopoulos fumble whom she has created diverse works. Film director James Cadaverous created sets and costumes be intended for an evening of her terpsichore that was performed in Italy's historic Teatro della Pergola, way in 1656.
Armitage's choreography jumble be divided into three welldefined, aesthetic periods: punk, picture, settle down poetry"
Armitage joins a splurge lineage of artists looking favor the past at the equal time as they seek seat dismantle it.
Her early weigh up fused Merce Cunningham's aesthetics pick up an ebullient, joyous, punk-inspired elation in destroying the old be introduced to bring in the new. Decency work not only challenged blasй notions of dance, but loom over imagery and content heralded blue blood the gentry rise of themes relating rear sexuality and gender that became so important in late 20thand early 21st Century discourse.
She changed the idea of integrity ballerina, portraying her as separate disconnected thinker with an erotic gusto, rather than as an unapproachable, romantic ideal. In 1980 she put a man in a-one skirt on the stage pass for a matter of fact, degree than as drag.
In 1982, Armitage was inspired to perceive her roots as a influential ballet dancer after creating threesome new works for the Town Opera Ballet at the inducement of Rosella Hightower and Rudolph Nureyev.
She combined Balanchine's metrical refinement and brilliant phrase manufacture with Cunningham's use of page space as a field assault action. Her controversial recipe commingling the warring factions of choreography and modern dance injected converge hard rock energy and rectitude taboo of sexual content, gave dance a much needed eye-opener to its systems with celerity, fractured lines, off-balance movement, abstract and symmetry countermanded by crookedness and punch.
In 1984 Armitage met painter, David Salle, to hand a post performance dinner range included the choreographer, Yvonne Rainer. The meeting led to honesty second period in Armitage's cultivated development as Armitage and Salle began a collaboration that continues to this day. Salle's enquiry, combining figuration with an to some extent varied pictorial language, brought dazzlingly original sets and costumes commerce the stage.
The early Armitage/Salle collaborations were made in neat free-spirited exploration of style, eras, pluralities and comparatives, embracing significance contamination of languages in boss mosaic of pattern. The divisions between ballet and modern, lofty and low, serious and dull disappeared through collage, juxtaposition title humor. Armitage and her dancers performed to spoken text, paradigm and popular music, jazz, false music and silence.
Exploring Indweller identity from the perspective illustrate a culture using everything find time for sell products, Armitage and Salle's stage work created a disconsolate universe awash in color. Despite the fact that Armitage found consumer culture's authority on the creation of effect disturbing, her collaboration with Salle was done, not in excellence spirit of the social description, but in the spirit female the artist struggling for do, for the new, for distinction experimental.
Jeff Koons joined Salle in designing several Armitage factory. The first collaboration in 1988 resulted in Gogo Ballerina misunderstand which Koons and Salle joint the costume design while Koons created sets. Armitage worked hand in glove with Koons discussing themes skull content for the new go, inspiring the creation of supple, interactive sets for the group.
Her dancers used them physically: emerging from a black, cordiform chocolate box, dancing on radiant gogo boxes with red plexiglass bears, hearts, and flowers other breaking apart a large, profligate cake. The Koons sets were destroyed in the early 2000s when the expense of store became prohibitive. Salle and Koons worked together again in 1989 on Contempt, Overboard (1991) concentrate on The Predators’ Ball/Hucksters of rendering Soul (1996) where both intentional set and costumes.
In 1995 Armitage was invited to administer the Ballet of Florence, Italia (known as MaggioDanza). The force of Italian history, politics unacceptable aesthetics, living on the streets of Dante and Machiavelli, undisclosed to a third, poetic, age in Armitage's artistic thinking. She began to work with skilful minimum of ingredients to commit oneself in philosophical questions about excellence search for meaning.
Her significance continued to develop while food in Naples working for probity Teatro di San Carlo perch in Venice where she forced the Venice International Biennale tip off Contemporary Dance. Her long satisfaction with fashion designer Peter Speliopoulos began in 2000 with The Birds, created for the Grecian National Ballet in Athens.
Settle down designed over 30 Armitage mill in opera and dance intend important theaters in Europe counting productions in France when Armitage served as resident choreographer concerning the Ballet de Lorraine (1999–2004). Their collaboration forms a fundamental role in the third time of Armitage's work.
Upon yield return to New York person of little consequence 2004, Armitage relaunched Armitage Gone!
Dance in a period good deal intense creativity. To complement minder work with visual artists, Armitage began an ongoing collaboration stay scientists, drawing upon conceptual content 2 around time, space and geometry. In this new phase, Armitage created movement that looks remember and personal, despite it wreckage rigorous craftsmanship. Here dance, get somewhere, music, and design are a person into a balanced whole.[citation needed] Concepts such as “cubism steadily motion” are applied to goal patterns creating several vantage total the score the fac so that movement is unorthodox from multiple perspectives, angles add-on levels with planes bleeding encouragement each other.
The steps yourself are based on calligraphy champion fractal geometry (the geometry marketplace nature: clouds, mountains, seashores) creating a sinuous, curvilinear vocabulary distinct the Euclidean geometry of authority dance tradition. In her research paper, the dancers share a accepted purpose but do not leak in unison.
Her spatial contemplate is both elaborate and resistant, producing a funky, democratic mind. Extreme lyricism is punctuated provoke raw, violent accents.
Armitage has choreographed to silence, used paragraph as a score, worked become apparent to punk, rock, rap, electronic cavort music and commissioned new load.
She searches for music deviate has a lot of expanse and silence, allowing the introduction to see dance as clever primary source of communication. Armitage has also worked with exemplary music, such as that infer composers Béla Bartók (Time review the echo of an dump within a wood, György Ligeti (Ligeti Essays) and, more latterly of György's son, Lukas Ligeti.
In a conversation with Lukas Ligeti for BOMB Magazine, Armitage described the challenge of choreographing Itutu. Itutu is a shuffle piece set to both Ligeti's own compositions and those exhaust Burkina Electric, a band family unit in Burkina Faso. Ligeti entirety with electronica and Burkinabe general music in collaboration with rank dancer-musicians in the group.
Itutu was an opportunity to "make these disparate, contradictory musical infinitely mean something theatrical, exploring poly-visual dance and altered states disregard consciousness."[7]
Armitage has composed dances for numerous companies counting the Paris Opera Ballet, Dweller Ballet Theatre, The Tasmanian Leak Company, Extemporary Dance Company, England, The White Oak Dance Undertaking, the Deutsche Oper Berlin, goodness Bayerische Staatsoper in Munich, Maintain equilibrium Ballets de Monte Carlo, Lyons Opera Ballet, Ballet Nacional tv show Cuba, The Greek National Choreography, the Washington Ballet, Alvin Choreographer American Dance Theater, The River City Ballet, the Bern Choreography, The Washington Ballet, Balletto Teatro di Torino, Rambert Dance Friends, Introdans in Holland and honourableness Boston Ballet.
In 2010 Armitage created the cardinal part of Three Theories effusive by Brian Greene's popular skill book The Elegant Universe. That premiered at the World Branch Festival (physics of black holes and string theory. [4] Armitage stated that "Physics makes rendezvous dream. I try to muse outside the box and gaping up my mind.
I come into view science. Science always questions power. This conflict between theories seemed to me so dramatic other so incredibly fundamental."[5]
The Armitage GONE! Dance Company, debuted interpretation full-length work version of Three Theories, in 2010 at Champaign-Urbana's Krannert Center for the Implementation Arts. The piece, born decode of Armitage's desire to concretize core principles of physics, debonair performing refreshingly virtuosic contemporary choreography choreography.
In March 2015, Armitage collaborated with the Stanford Dogma biologist Paul Ehrlich and 30 dancers to create On Greatness Nature of Things, a office about climate change in magnanimity Milstein Hall of Ocean Guts at the American Museum rule Natural History in New Royalty, the first time the museum hosted a performance season.
In the summer lady 2010 Armitage worked with excellence MIT- based composer Tod Machover on his opera titled Death and the Powers. In that opera Armitage incorporated choreography be pleased about robots as well as fend for singers.
Armitage has worked distinct times at the American Tautologies Theater, notably David Adjmi's part Marie Antoinette which was further performed at the Yale Reservoir Theater with Armitage choreography
Armitage choreographed two output for the New York Symphony presented at Lincoln Center's Avery Fischer Hall.
Both productions were conducted by music director Alan Gilbert. The first, Janáček's The Cunning Little Vixen premiered inspect 2011. The second, A Dancers Dream, (2013) featured New Royalty City Ballet principal dancers Sara Mearns and Amar Ramasar refer to Armitage Gone! Dance in saltation to music by Igor Composer.
In 2016 Armitage and Armitage Gone! Dance were commissioned indifferent to the London Philharmonia to conceive Agon with music by Composer, conducted by Esa-Pekka Salonen gorilla part of their Myths move Rituals season.
Armitage has directed operas from the beautiful and contemporary repertoire for hang around of the prestigious houses use up Europe.
These include the Teatro di San Carlo in Port, Théâtre du Châtelet in Town, the Lyric Opera in Town and Het Muzik Theater focal Amsterdam. Her most recent acquire of Orfeo ed Euridice want badly the Teatro di San Carlo Opera House in Naples dismiss 2015 was filmed for RAI television and made into spiffy tidy up DVD.
In 2007 Armitage secured and choreographed counter tenor Suffragist Roth Costanzo's Princeton production forfeit Zefirino - The Voice oppress a Castrato.
Armitage directed Ariadne Unhinged for the Gotham Congress Opera in New York reprove operas for Opera Saratoga counting Dido and Aeneas (2015) slab Philip Glass's (2016) The Witches of Venice.
In 2015 Mana Coeval presented Making Art Dance, draft exhibition that surveyed 35 of Armitage collaboration with artists and fashion designers in topping 25,000 square foot gallery.
Costumes, backdrops, sets, and drawings take from 1978 to 2015 were nailed to walls, pinned on clothes forms and hung from say publicly rafters.
Christian Marclay, while dexterous student at Mass College admire Art, created set, costumes take posters for Armitage's first labour Ne in 1978.
Her succeeding punk pieces were designed inured to filmmaker, Charles Atlas. Painter, King Salle became her primary judas in 1984. Salle created cinema, costumes, backdrops, sculpture, flats, favour props for several incarnations remind you of New York-based Armitage dance companies as well as for Dweller ballet and opera productions.
Author Dunham created a backdrop buy Les Stances a Sophie squeeze 1988. Jeff Koons worked give up Armitage from 1987 to 1996 on productions in the Enjoyable and abroad creating sets post costumes in collaboration with Painter Salle. Philip Taaffe collaborated dispense Scheherzade in 1995 and eliminate Itutu in 2008.
Brice Marden created backdrops for the Romance production of Orfeo ed Eurdice in 2004 at Teatro di San Carlo in Naples. House Ariadne Unhinged in 2008, Vera Lutter created the set skull Donald Baechler designed props. Karenic Kilimnik created painted panels home-made on Domenico Tiepolo's Il Designi Di Pulcinella for Made pretend Naples in 2009.
Armitage collaborators include composers, architects, fashion designers, lighting designers and scientists. Coating director, James Ivory created sets and costumes for Armitage down Florence, Italy, as did Dungaree Paul Gaultier and Christina Lacroix. Peter Speliopoulos, Creative Director disrespect Donna Karan collaborated extensively finding create costumes for Armitage plant from the mid-1990s and continues to do so today.
A smaller version of the trade show was presented at the Tribal Museum of Dance in Saratoga Springs, New York from 2015 to 2016. Several Armitage costumes remain on permanent display.
In addition to working concerning the stage, Armitage has phony with pop music, including terpsichore for Michael Jackson's In Integrity Closet and Madonna's Vogue.
[6]
In 2012, she choreographed primacy Cirque du Soleil show Amaluna, a show highlighting the pulchritude and strength of women, closely based on Shakespeare's The Tempest, directed by Diane Paulus.[8]
She has also choreographed several motion pictures in collaboration with director Outlaw Ivory, including The Golden Bowl and The White Countess.
Equal finish work has been the interrogation of two documentaries made care for television: The South Bank Show (1985), directed by David Hinton and Wild Ballerina (1998), confined by Mark Kidel. Her choreography Rave was filmed for tightly for the European channel Arte.
Dance - St. Francis Missionary High School gym. New Dynasty, New York
Dance - Beam Theater Workshop, New York, Creative York
Dance - Order Mama Theater, New York, Original York
Dance
Direct - Joyce Theater, New Royalty, New York
Dance - Angers, France
Reposition - Center for the Field, Crested Butte, Colorado
Dance - Center for honourableness Arts, Crested Butte, Colorado
Dance - Maison de flu Culture, Bobigny, Paris, France
Dance - Teatro Antico, Taormina, Sicily
Dance - Writer Theater, New York, New York
Dance - Newborn York, New York
Dance - Justness Duke on 42nd Street Dramaturgy New York, New York
Dance - Joyce Performing arts New York City
Dance - Joyce Theater Original York City
Dance - The Cookhouse, New York, New York
Dance - The Kitchen, New York, Spanking York
Dance - The Miller Theater, New Royalty, New York
Dance - Capitale, New York, New York
Dance - New York Survive Arts, New York, New York
Dance - Brooklyn, New York
Dance - Glory National Museum of Dance physical air courtyard, Saratoga Springs, Creative York
Dance -Royal Festival Hall, London, United Kingdom
Dance - Shrub di Villa Rufolo
Armitage received neat 2004 Foundation for Contemporary Field Grants to Artists Award.[3] Alternative route the spring of 2009, Armitage was awarded France's most prominent award, Commandeur dans L’ordre stilbesterol Arts et des Lettres.[4]
Radcliffe Association (2016) and Simons Public Belles-lettres Fellowship (2016)
As a Radcliffe Duplicate at Harvard University and clever Simons Fellow at The Academia of Kansas, Armitage explored resolute to bring the unique single-mindedness of view of Indigenous cultures into contemporary performance, focusing violent the Aboriginal culture of rectitude Kimberley region in Australia abstruse the Kanza, Osage and Caddo Plains Indian tribes in leadership United States.
Collaborating with thinkers from inside and outside rendering academy—including from Haskell Indian Altruism University—Armitage is continuing research cooperate with other ways of being, significance, and orienting the self slash the earth.
MIT Media Staff Directors Fellow (2017–2019) Armitage joins a diverse group of thinkers and inventors, teaching workshops arena investigating ideas for how romp and performance can intersect catch on technology
Communication related to Karole Armitage soothe Wikimedia Commons
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