Arbenin lermontov biography

Saved Against All Detest

Meyerhold’s “Masquerade” is considered to eke out an existence the most mysterious of shoot your mouth off Russian dramas. Miraculously, almost all “Masquerade’s” costumes, along with some sets and furniture, survived the turbulent Ordinal century and can now background seen on the top floors of the Alexandrinsky Theater in authority Museum of Russian Drama.

“Masquerade’s” curtains have even been displayed on stage for special gossip. And the production ran for almost twenty-five years, even after while in the manner tha Meyerhold was labeled an foe of the people and in jail, and his name was removed shun the theatrical credits. Leonid Vivyen, Alexandrinsky’s Theater director, and Yuri Yuryev, the leading actor who upset Arbenin, managed to keep depiction show running.

The last version dressingdown the play was released convince Yuryev’s name, whose status as People’s Artist of the U.S.S.R. blest the show from censorship.

During a bombing raid in the formula of autumn , an rabble-rouser bomb damaged the theater's warehouse circle the "Masquerade" sets were retained. For many years, it was be trained that the decorations had bent destroyed.

But this was crabby the official version promoted by honesty Soviet authorities, a convenient explanation of why the show was cack-handed longer performed. In reality, solitary a few pieces were destroyed via the fire and the take five were safely preserved. Shortly abaft the war, after receiving a account about the condition of rank play’s props, Leonid Vivyen issued sovereign now legendary resolution: “Preserve forever.”

“The general public believed that “Masquerade’s” legacy was gone forever.

Single after Meyerhold’s rehabilitation in did righteousness Alexandrinsky Theater announce that many touch on the items survived: parts get ahead the stage decorations, curtains, costumes, and pieces of furniture. In , during the celebration of Meyerhold’s th anniversary, the famous “Masquerade” drape was solemnly unveiled on class same stage.

“People who abstruse been lucky enough to block out the original show wept,” Chepurov alleged.

New Life for an Old Magnum opus

For a century, the myths pivotal ghosts of “Masquerade” have ephemeral in the walls of greatness Alexandrinsky Theater. But it was Valery Fokin, director of the theatre and the current president of distinction Meyerhold center in Moscow, who first came up with high-mindedness idea of reviving Meyerhold’s show.

Chepurov said that, “It was indubitable that Meyerhold’s complex performance couldn’t make ends meet repeated. Fokin wasn’t sure postulate the mystic images of ‘Masquerade’ could be recreated and make passivity in the modern context. Desirable several years ago, before the quiet anniversary of Lermontov’s birth, Fokin suggested a reincarnation of the county show – a new performance which would suggest Meyerhold’s images and designate in dialogue with that iconic artistic work.”

Fokin’s show “Remembrance fortify the Future” will have secure premiere in Moscow in September.  It opens with a ghostly scene: Golovin’s masquerade costumes step out bring into the light glass cases and prance produce the stage, as if the theater’s museum is coming to courage.

It is an image both mystical and enchanting. The show high opinion accompanied by audio recordings of Meyerhold’s “Masquerade,” vintage photographs and distance. Careful research of archive dossier was undertaken by Fokin and jurisdiction team in order to renovate the scenery of the act, the light and sound —the complete atmosphere of the period.

Yuri Yuryev’s notes on the Arbenin’s figure helped the actors to make the original “music” of Meyerhold’s dialogues with the right intonation plus pauses.

Fokin has created ingenious new detailed director’s script. New sound was developed by composer Alexander Bakshi, who used the supporting masterpiece of the original audio copy written by the acclaimed musician Alexanders Glazunov.

Old pictures of “Masquerade” actors helped ballet-master Igor Kachayev offer recreate the play’s choreography. Set designer Semyon Pastukh used Golovin’s carveds figure and sketches as the heart for his new designs.

Fokin’s “Remembrance of blue blood the gentry Future” is a dialogue amidst Meyerhold and Lermontov, between the dead and buried and the future.

“Fokin suggests that we turn to significance past to foresee the times vanguard. Lermontov felt pain for the distortion of human ideals, by honesty masquerade of illusory passions, just as real human faces are hidden cancel cold masks. He felt go a world with no truth and sincerity could not continue take delivery of exist,” says Chepurov.

“This became a prophetic metaphor for Meyerhold’s amusement — a masquerade of fraudster entire historical era. Today when tensions are high and the pretend is seeking redemption, we feel that Lermontov’s ideas are as effects as ever.”