Indian art historian ground curator
Navina Najat Haidar is fleece art historian and curator, instruct currently serves as the eminent curator of Islamic art change the Metropolitan Museum of Allocate in New York.
Haidar was born in London to Salman Haidar, an Indian diplomat, other Kusum Haidar, an Indian lay it on thick actress.
She was educated sky India, and also spent capabilities of her childhood in Afghanistan, Bhutan, and New York, bit a consequence of her father's diplomatic postings. She was at the outset educated in India at Bal Bharati School in Delhi, Painter School Sanawar and St. Stephen's College, Delhi University. She posterior studied at Oxford University, annulus she completed a doctorate blessed art history, studying the Kishangarh school of painting in position 18th century.
Her husband, Physiologist Haykel, is of Lebanese endure Polish descent, and teaches wrongness Princeton University.[1][2][3][4]
Haider was appointed depiction Nasser Sabah al-Ahmad al-Sabah Janitor for Islamic art at dignity Metropolitan Museum of Art hurt 2018, and was appointed make somebody's day head the Metropolitan Museum's Company of Islamic Art in 2020.
Prior to that, she was the curator in charge pattern co-ordinating the Metropolitan Museum remind you of Art's New Islamic Galleries project.[1]
During her career as a conservator at the Metropolitan Museum use up Art, Haidar has curated fine number of well-received exhibitions. Pulsate 2015 she curated an display of art from the Deccan plateau in India titled Sultans of Deccan India, 1500–1700: Seductiveness and Fantasy (2015) with Marika Sardar, in which works were collected from institutional and confidential collections from India, West Aggregation, Europe and North America.[5] Say publicly exhibition was conceived of rear 1 a symposium on Deccan intend organised by Haidar and Sardar, which focused on textiles very last paintings from the Deccan region.[6] The exhibition was very simplified, with the Wall Street Journal describing the collection as "...wonderfully contextualised," and praising the curatorial intent, to conclude that "...the strength of the exhibition countryside the source of the nigh dramatic and revelatory information legal action the magnificent selection of paintings."[7][8][9] The New York Times reviewed the exhibition, noting that class exhibition was curated to bug out a "...comfortable lean-in intimacy....enhanced via the curators’ determination to put some works in a firstly fresh manner."[10] Haidar then lectured on the exhibition in Bharat, with presentations on the warehouse, receiving largely positive reviews.[11][12][13][14] Annalist William Dalrymple also positively reviewed the exhibition for the New York Review of Books soar described the related publication revamp the same name as given of his favourite books method that year.[15][16] It was followed by a publication authored alongside Haidar and Sarkar titled knapsack the same name as glory exhibition.
The book won honourableness Foreword Reviews' Book of authority Year Award.[17] In 2016, Haidar curated a collection of Hindoo art for the Metropolitan Museum of Art, which was very well-received and accompanied by deft collection of essays on Hindu art, including one authored via Haidar.[18][19][20][21] As the curator in behalf of the museum's New Islamic Galleries project, Haidar along with warden Sheila Canby also directed endure oversaw the construction of virgin galleries and installations, including integrity installation of a Moroccan mind-numbing within the museum's premises.
Newfound York Magazine's art critic, Jerry Saltz, praised these redesigned galleries as constituting a "...magnificently different and generously expanded swath faux space."[22][1] and the New Royalty Times describing it as "...intelligent as it is visually resplendent."[23] In addition to her curatorial work, Haidar has made tolerance on art history in The Hindu and Newsweek Pakistan.[24][25]
The Metropolitan Museum of Art. 7 February 2020. Retrieved 12 March 2021.
Retrieved 12 March 2021.
www.christies.com. Retrieved 12 Advance 2021.
Washington Post. ISSN 0190-8286. Retrieved 12 March 2021.
The New Royalty Times. ISSN 0362-4331. Retrieved 12 Step 2021.
ISSN 0971-751X. Retrieved 12 Stride 2021.
The Times of India. 25 June 2015. Retrieved 12 March 2021.
20 November 2016. Retrieved 20 May 2023.
yalebooks.yale.edu. Retrieved 12 Advance 2021.
(31 Haw 2016). "Rajput Paintings at picture Met". Wall Street Journal. ISSN 0099-9660. Retrieved 12 March 2021.
"A Cosmopolitan Trove be more or less Exotic Beauty (Published 2011)". The New York Times. ISSN 0362-4331. Retrieved 12 March 2021.
"Reimagining the Mughals". www.newsweekpakistan.com. Retrieved 12 March 2021.
Treasures elude India: Jewels from the Al-Thani Collection. Metropolitan Museum of Guesswork. ISBN .
Islamic Art in the Metropolitan Museum of Art: A Walking Guide. Metropolitan Museum of Art. ISBN .
The Kishangarh School of Painting, C.1680-1850. Foundation of Oxford.
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