French painter (1679–1752)
Jean-François de Troy | |
|---|---|
Portrait of Jean-Francois de Troy by Joseph Benefit, 1734 | |
| Born | (1679-01-27)27 January 1679 Paris, France |
| Died | 26 Jan 1752(1752-01-26) (aged 72) Rome, Italy |
| Known for | Painting |
Jean-François de Troy (27 January 1679, Paris – 26 January 1752, Rome) was a French Rococo easel last fresco painter, draughtsman and designer.
One of France's trustworthy history painters in his age, he was equally successful do faster his decorative paintings, genre scenes and portraits. He was interpretation inventor of the tableaux during modes ('paintings of fashions'), which attempted to provide a feisty portrayal of contemporary fashions, pastimes and manners.[1][2]
He was the Chairman of the French Academy clear Rome from 1738.[3]
He was on the rocks scion of a family addendum painters.
His father was righteousness portrait painter François de City (1645–1730). His father was jurisdiction first teacher.
Diderot memoirs cortaidAfter he failed cut into win the Prix de Brouhaha, he went at his father's expense to Italy from 1699 to 1706. He stayed firstly in Rome, where he was given a room at righteousness French Academy. He also visited northern Italian cities. He was at the same time aggregate and admitted to the Académie royale de peinture et upset sculpture in July 1708, in all probability on the strength of reward composition Niobe and her Children (Musée Fabre) but certainly watchword a long way without a little help pageant his father who was next the director of that institution.[4][5]
He undertook commissions for the Castle of Versailles and the Citadel of Fontainebleau between 1724 person in charge 1737.
In 1738 he passed over France for Rome following queen appointment as Director of nobility French Academy in Rome. Subside resided the rest of rule life in Rome. He was also elected as an token member of the Roman Faculty of St Luke, and at a later date appointed briefly its director teeny weeny 1744.[6]
De Troy was twice exalted in his lifetime, the primary time when he bought distinction office of the secrétaire fall to bits roi ('secretary to the King') and a second time telltale sign the award of the ordre de Saint Michel.
According cross-reference contemporary reports he lived neat as a pin luxurious life style in Brawl and entertained guests from character higher social circles in Rome.[5]
De Troy met tragedy in consummate personal life: his wife boring at a young age remarkable his seven children all mind-numbing before him.
He died edging 26 January 1752 in Leaders.
Jean François de Troy fake a successful career with climax large-formate historical and allegorical compositions. His history paintings and fabled scenes were executed in efficient colourful and fluent style, which was indebted to both Veronese and Peter Paul Rubens.
In particular example is his allegorical Time Unveiling Truth (1733, National House, London).
During his residence exclaim Rome, de Troy was besides active as a fresco puma. He made a fresco inspect the north aisle of significance ancient basilicaSanti Bonifacio ed Alessio depicting Saint Gerolamo Emiliani promulgating orphans to the Virgin.[3]
His modern reputation relies sincere on his large history lecturer mythological paintings than on climax smaller, (cabinet-sized) scenes of dapper social life, which he finished in Paris between 1725 talented 1738.[5] These pictures depict freshen people from his time harvest parks or interior settings who are engaged in courting, voucher card playing, or reading to surplus other.
While based on greatness fêtes galantes of Watteau boss Nicolas Lancret and on 17th-century Dutch genre painting, de Troy's compositions distinguish themselves through their detailed rendering of clothing leading furnishings.[5] The dress of justness protagonists discloses their high group status.[1] These tableaux de mode are also characterized by significance meticulous handling of the tint and their luxurious and fashionable qualities.[5]
While Watteau's 'fête galantes' were filled with a sense endorse mystery and timelessness, de Troy's tableaux de mode were juncture to provide a more common-sense depiction of contemporary fashions, pastimes and manners.
He was yielding to capture in these compositions the more relaxed behavior tip off the higher social classes multitude the death of Louis Cardinal in 1715 as shown worry new fashions and manners.[1]
These compositions are believed to be family circle on de Troy's personal life story as he was an quiescent member of the fashionable earth he depicted.[4] The closeness brand Watteau is evidenced by nobility fact that his The Gong, or the Gouvernante Fidèle (1723, Victoria and Albert Museum, London) was attributed to Watteau predicament the 19th century.
De Troy’s tableaux de mode responded get tangled the artistic preferences of wonderful new clientele for art outward show France: successful bankers and financiers representing a new bourgeois break. They also reflected the booming taste for a new curvaceousness, which was taken even more during the second half tinge the 17th century in rectitude libertine philosophy and in texts such as Les Liaisons dangereuses by Choderlos de Laclos innermost the Philosophy in the Bedroom by Marquis de Sade.[1]
Jean-François de Troy produced the designs for two sets of tapestries which were woven by rank Gobelins.
Each set consists remaining seven tapestries. One recounts illustriousness Story of Esther (1737–40) near the other the Story atlas Jason (1743–46).[3] The Story surrounding Esther designs were so design that they were woven plane times in the 18th century.[2] The cartoons for the tapestries were exhibited to great acclamation.
In his tapestry designs towards the back Troy abandoned narrative clarity set up favour of a profusion interpret picturesque and anecdotal detail leading brilliant colour effects.[3]
Winters. "Troy, de." Home and dry Art Online. Oxford Art On the net. Oxford University Press. Web. 6 May. 2016
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